There are two types of writing styles, the plot-driven, and the character-driven. You must know the difference between the two before you write your novel. Some novels are plot-driven, some are-character-driven, and some are just a mix of the two writing styles. Let me tell give you a better interpretation of what each one is.
“I think the best stories always end up being about the people rather than the event, which is to say character-driven.
Stephen King
Character-Driven Writing Style
Character-driven is the type where the novel studies the development of the protagonist throughout the story. It is when the main character undergoes internal conflicts and takes essential decisions that no other character can if he or she was in her shoes.
Character-driven novels are tailored for the protagonist only, and it explores more in-depth the emotions and characters that he or she adopts throughout their journey. Examples of character-driven novels fall under the literary fiction and women’s fiction genres.
Plot-Driven Writing Style
Plot-driven novels focus on the external events that occur in the plot. There is a significant goal that needs to be reached in the story, and some circumstances might hamper the characters reaching that goal. Note here plot-driven novels focus entirely on the plot, so if you place anyone in your protagonist’s shoes, he might make the same decision to save the world.
This writing style is fun and usually has a lot of action scenes that take place that keep the reader entertained. Examples are fantasy, romance, and thriller genres.
“My books are primarily plot driven but the best plot in the world is useless if you don’t populate them with characters that readers can care about.
Jeffery Deaver
What If We Combine the Two?
No problem. A well-written novel is the one that adopts the two writing styles. Note, however, that you need to use them in a balanced way.
It’s good to keep in mind what writing style you are implementing when you write your novel because it helps you focus on the characters’ inner conflicts or the exterior plot.